Sunday, 28 February 2010
promo examples - animation
What is a Promo video
FeedBack from Bournemouth student
- The audio levels were poor
- It wasn't cut nearly fast enough
- It had no structure
- Gave no real information
- Titles were a good idea but not executed well
- Email address came across far to fast
Feedback from Simon Bates
- Live footage of The Fiver
- What the requirements are for getting in
- What you get if your band is accepted
- How to apply
- It must look contemporary
- Appealing to the 14 – 17 age group
- Supply all the relevant information
- Good use of the bands, drops me straight into the evening
- Does not show entry requirements
- Mentions financial incentives but not the opportunities of working on large stage with sound and techs - would be great to include this in the final cut
- Left me slightly confused
- Looks modern
- Great editing and speed
- Yes but does not include too much of the younger band(s)
- Unsure the ticker tape is clear enough, moves too quickly, unclear
Project budget
Health and saftey risk assesment for filming at The Junction
The key things that had to be paid attention to were;
- Stay a good distance from the cherry picker, it's big and the driver can't always see where he is going.
- Wear the ear plugs provided, we spent a lot of time very close to the PA system and were in danger of dameging our hearing permanently.
- Don't stare at the lights, especially the strobe, strobes are twice as bright as normal stage lights and the rapid flashing can cause serious damege to your eyes
- Don't leave anything lying around, people are very busy back stage etc and could trip over things easily
- Be carefull of cables and equiptment on stage, back stage and in the pit, don't trip over things!
- Be aware of the crowed, especially when in the pit area, people tend to crowd surf and throw things around at gigs.
- We had to wear our white CMDiploma shirts to make sure every one could identify us.
- We were given AAA (Access All Areas) and PHOTO passes so staff knew we were aloud to go anywhere and weren't thrown out.
Model release forms
The Junction Fiver Gig
When the music actually started we all had to make sure we were on top form and paying attention to everything that was going on around us, so as not to miss filming important things that made our footage exceptional and not just standard gig footage.
The key things we wanted to film was;
- Each band coming on stage (from front of stage)
- Each band coming off stage (from back stage)
- Atleast a whole song from each band
- Crowd footage/reaction to each band
- An interview with each band
I think all in all the filming was very succesfull and we achived everything we wanted to and more. The experience was incredible and really gave me a big insight to filming live performances and working with large groups of the public. I loved the fact that everyone treated us like such professionals and with a lot of respect. We wern't considered to be in anyones way at any point and were often asked if things were ok for us and if there was any thing that could be done to make the filming go better, e.g. the lighting tech asked us if we had rolling shutters on our camera because if not his strobe lighting could cause all the footage to look terrible because it would cause big white lines to appear on the screen. but luckily it was ok and looked great.
Saturday, 27 February 2010
Pre - Gig (soundcheck)
Set up and ready to go we discussed who was going to film from where etc. We decided, being the tallest, James should film from the back of the crowd, having the most experience of gigs and being most aware of what to expect i went in the pit area (front of stage between crowd and band). And Dave went between side stage, pit and crowd. Mike, being documentary, roamed around and filmed as much as he could whilst Kirk took photos (Kirk had to leave at 7pm)
Positions disscused, we went back down stairs and into J1 and got to work filming the bands sound checking and technicians setting setting up. James and Mike interviewed Gary Brown and Simon bates, Kirk and Mike interviewed the lighting and sound technicians and the DJ for the night and i interviewed Operation FM and got a lot of cutaways of equiptment, lights and equalisers.
Preparation for filming
- 4x camera bag, each containing 1x Sony HD video camera 1x Battery 1x rode mic 1x HD DV tape 1x Senheiser headphones 1x mains power cable
- 4x Cram tshirts
- 1x Kodak digital camera
- 4x Tripod
- 1x battery charger
Once we had all our equiptment we made sure everything was in working order, this means making sure all the batteries are charged, the cameras are all set to HD and contained blank HDDV tapes and that the Mics are set up properly to record stereo audio.
We then left college and walked to The Junction.
Friday, 26 February 2010
Day of filming at the fiver
General Feedback
Thursday, 25 February 2010
Rough cut analysis
Junction Promo B rough from cmdiploma on Vimeo.
This is the rough cut of the promo video produced by Me, Loz and Ash. Although we have made music videos and short films before, this was our first attempt at a promo video. We decided to use the track 'Till Death Let us Dance' by Operation FM, one of the bands that played the fiver we filmed. We decided to play on the live aspect as much as possible for our video, there for we started the video like a live performance video with the live track and edited the footage of Operation FM playing live for the first verse. after that we faded the live track into the recorded one ( we didn't have the full live track to use). after the fade to the recorded track we decided cut into a montage of bands playing and the crowd partying whilst over the top of the footage we put questions asking the viewer different things to make them relate and stay interested. After the montage, at 1:10 we cut to interviews with Operation Fm, Boiling Point and Franko with a flash of stage lights to a fade out to finnish. This is only the rough cut and needs more work because the audio levels are fairly poor and it needs to be cut much quicker. Also, although there are questions to try and interest the viewer, there is very little information other than a very quick scrolling info track which is un-effective and illegible. As far as my projects go i feel this is one of my weakest so far and i am fairly un-impressed with it. There are strong points like the middle montage section and i like the cutting of the start when Sam (singer of Operation Fm) jumps from the drum risers. But all in all it isn't a strong peice of work and i fully expect to get a fair amount of negative feedback from the Bournemouth students.
Junction Fiver sound check 15/01/10
Nick asked for 2 students to go down and film, once again, being very keen to get as involved as i can, i instantly offered to go, Dave was also keen to do some filming too. so the 2 of us met at The Junction at about 1:30 and got stuck in filming bands sound checking and did a few interviews.
I'm glad i got this opertunity as it gave me a chance to get to grips with what was going on and what filming the next Fiver will be like. i was kind of nervous to start with because it was all pretty rushed and no one (other than Simon Bates and Gary Brown) knew we were going to be there.
Cramba rehersal
Nick wanted 2 students to document one of the workshops (Thursday 14th Jan). Keen to get as involved as i possibly can, i jumped at the chance of filming and Phillipa came as well to take photographs of everything.
The level 2 students found the Samba quite tricky at first and were not very confident about it but by the end of the session they were fairly good and able to keep a decent rythem as a group (this can be very tricky in such a big group)
I enjoyed filming and getting involved because not only did i get to film but i also passivly learn't about Samba too!
Wednesday, 24 February 2010
Brakedown of the project




Saturday, 20 February 2010
Promo style
I Found this promotional video for Bournemouth University and realised, other than being much longer, it is produced in a similar way as to how i want to make my promo for The Junction. It starts off with a very effective, quick montage cutting, whip panning and fading to the fast paced, interesting sound track. it then fades into a title screen followed quick cut interviews then into another title followed by more interveiws etc.
This style of promo is baisic but probally one of the most effective, becuase it is quick enough to keep the viewer interested but also puts across alot of information and requires no effort from the viewer.
Promo video pitch
We chose this video for the first minute of footage which show the band arriving at the venue, setting up and crowd flooding in. This process is somthing we want to show at the junction as it gives prospective bands more of an insight into how things happen at the fiver and show them how professional it is.
This video "save it for the bedroom" by You Me At Six is a good example of a live video and shows a livley band having a good time performing to a livley audience, this is what we want to show happeing at the junction after the setting up etc. but it will contain footage of multiple band obviously.
After a couple of minutes of setting up and live footage we wated to have interviews with the bands cutting in amongst the live footage. This interview of Enter Shikari shows the style we want to use, it's a pretty informal interview and cuts away to live footage between talking.
Junction promo planning meeting #3
In the third planning meeting with Simon Bates we started off with asking him any further questions as last time we didn't have much to ask and since we have been planning we've realised theres a lot more we need to know. the main questions we asked were:
- What Kind of bands are you looking for? between the age of 14-15 so we have time to work with the band and help them become a better band
- Do you want us to use Junction branding? Yes
- Do you want Interviews in the promo? Yes but also live footage
- Do you have any Archive footage? No
- When is the Deadline? End of Febuary
- at do we have to use for the promo soundtrack? Use bands from the Fiver
After this Simon came round to each group and we pitched our ideas.
The Junctions role in the community.
Friday, 19 February 2010
Junction promo planning meeting #2
Junction promo planning meeting #1
Who we have chosen to work with and why.
Tuesday, 16 February 2010
Uprizing
Uprizing is a collaboration of underground DJ's and music producers who frequently put on big club nights at the junction and other venues. They are currently looking for people to film and edit live footage from their events and would probably be very entusiastic to the idea of working with us to make them a promotional video. However due to the club nights being fairly spread out, finding one convinient to our timing would be difficult. Also the fact the nights are 18+ would once again be a problem.
Shakin' Moos
Shakin' Moos is a new independent milkshake bar in Cambridge. It recently came very close to closure but was saved by donations and public demand, since this save they have been thinking up lots of new marketing techniques. This is a prime opportunity for us to get in contact and use our skills to help them get back onto their feet so to speak.
Saturday, 13 February 2010
The Portland Arms

The Portland Arms is a Cambridge pub that is very popular as a smaller music venue. It recently came very close to closure to be knocked down to make way for flats. The pub was saved by the public protesting about how important it is to the city and the local music scene. The Portland is now hosting the heats to the cambridge band competition and look likely to host many more similar events. The Portland is clearly a very important part of the cambridge community, and is one of the best small venues around. I would love to work with The Portland Arms and help them promote their events and build that community heart into something EVERYONE wants to be a part of.
Friday, 12 February 2010
Vue Cinema
Vue Cinema Cambridge is one of a huge chain of cinemas across the country, when thinking of businesses in cambridge that I may be able to work with, Vue was one of the first that came to mind but i soon realised that because it's such a big organistion they would be VERY unlikely to have any interest working with me and if i DID get to, it would be more like a Commission because there would be no one there regularly enough, with enough spare time to work with.
ADC Theatre
ADC Theatre is a local theatre that shows mainly Cambridge University productions of traditional plays such as Shakespeares Merchant of Venice and Bacchae. Being a small time theatre i think they would be quite good to work with as we would get the same personal interaction with the staff and be able to bounce ideas off people quite easily. However because they are so closely related to Cambridge University i don't think they would be interested in working with us as they probably have a lot of uni students wanting to work with them as well.
The Soul Tree
The Soul Tree is another Cambridge club, which also have bands play and host the Cambridge battle of the bands heats some times. On a wednesday night they have a new club night on called HonkyTonk, this is a alternative/electro house/disco night hosted by new up and coming DJs. I know one of the guys at HonkyTonk personally and have worked with him before and know that he's really great to work with and is always interested in working with me on projects like this. But the same problem stands as with Fez, that a lot of the class aren't 18. Also using the equipment in a club around, probably, fairly drunk people would require some pretty extensive risk assessments etc and we would be lucky to get permission.
Fez Club
Fez is a cambridge night club, known for it's alternative indie/drum and bass nights. most popular being every monday nights Fat Poppadaddys. i thought that it could potentially be a good opportunity to work with a slightly different organisation other than just arts theatre style places. However as not all of the class are over 18 it could make things more difficult and unfair as only a few of us would be able to work on site during open hours.
Thursday, 11 February 2010
The Arts Picture House
The Picture House is part of a small chain of 'Indie' Cinemas, they show more obscure films and give more opportunities to budding directors and low budget films. Having worked with them before, i think working with the staff at The Picture House would be a really good opportunity to work together with professionals, not as clients but as partners, being able to pass ideas back and fourth and discuss them.The Corn Exchange
The Junction
The Junction is one local business we could easily collaborate with, we have already spoken with their head of learning and access, Simon Bates. In this conversation Simon seemed very keen for us to work with them on different projects and that we would have access to most, if not all of their facilities. Since that conversation, some of us have already worked with them while producing our Music videos for our A level media project and they were incredibly helpful and gave us anything we needed to get the absolute best out come.The Junction would be a great organisation to work with because we have worked together before and they are a big part of the community, providing affordable entertainment almost every-night to all age groups. However it would be good for us to get the experience from a different business.
Background Research (possible partners)
- The Junction
- The CornExchange
- The Arts Picture House
- Fez Club
- The Soul Tree
- adc Theatre
- Vue Cinema
- Portland Arms
- Shakin' Moos
- Uprizing










